My publishing-industry gripes with Stranger Than Fiction, which I love anyway
I rewatched Stranger Than Fiction today, because of course that film is a delight for any fiction writer, and Emma is hilarious as the reclusive, pessimistic novelist. HOWEVER, here are my "oh come on" gripes (which don't include a character coming to life, because I'm apparently fine with that):
1) Publisher wants author to write something new so badly that they send a full-time all-expenses-paid editorial assistant to make sure she finishes her book? Has that ever, ever, ever happened? I mean, if that were how publishing worked, they would have assigned someone to G.R.R. Martin ages ago.
2) I don't get why Dustin Hoffman is so intrigued when he learns that the phrase "little did he know" cropped up in the narration, nor how he could teach an entire seminar on it. Sure, it signals third-person-omniscient, but so what? It's still a cliche of a phrase, and a rather melodramatic one at that.
3) Typewriters? Still? Hollywood, please. Novelists have come around to using computers, just like your screenwriters have. But yes, I admit it's much more cinematic to use a typewriter, as you get that nice clacking sound, and papers you can rip out and crinkle up and toss aside, and all that.
Anyway. Still. The concept is really fun, the performances are all excellent, I'm moved and entertained, the cookies look delicious, and "I'd Go the Whole Wide World" is a catchy song, so I like this film lots on the whole. I just needed to say the above.